The Conquering of Evita Peron

Evita, of feed, not only conquered the city, al unmatched conquered the country and became a "star" as the wife of the chairperson Juan Peron. At the age of fifteen she left home to trail wealth and fame, and eight years later she had depart "one of the best-paid radio actresses of that time" (Fraser and Navarro 27). She had already risen above her peck to stand above the crowd. Obviously, most new-fangled girls do not leave home to find fame and wealth in a few years, especially young girls raised in relational p overty. Clearly, Evita possessed remarkable drive and determination, the same qualities she showed when her ambition direct her to meet and win the heart of then-Colonel Peron, with whom she would later rule over Argentina. Certainly, her powerful personality in large cave in accounts for the deed that she was "his most important follower and the person who to a greater extent than anyone else and near as much as he did, gave an identity to the doing which bore his name" (Fraser and Navarro 33). She and Juan would dazzle the country in part because of the myths of their leadership, in part because she was perceived as being (along with Juan) the weird and practical answer to the needs of the people, and in part because she contend the role to the hilt, like the actress she wanted to be as young girl. She played that role spectacularly almost to the end of her life, when she "renounced her policy-making ambitions" as if it

Gender plays a more significant role in determining the course of Evita's and Maria's lives than does race, although the truly central forces in their lives are social and economic. At the same time, pull down in that socioeconomic context, gender is life-or-death because women are invariably on the lower rung of the extend of gold and power in any society, and this is perhaps even more the case in Latin American cultures.

erst Evita achieves a measure of wealth and fame, she loses interest for this reader, for then she reveals herself as a shallow and vain cleaning woman who worries more closely her dresses than about the people who cherish her as a savior of sorts.

Meanwhile, Maria, who seems in her diary remote more sensitive and keen than Evita, trudges in the favela, wanting for the most basic necessities: "Lately it has become very difficult to set about water, because the amount of people in the favela has doubled. And there is only one spigot" (de Jesus 96). emotional state ceases without water, yet Maria is always more concerned with others than with herself, in contrast to Evita: "I want water for the baby's bottle. My God, what are we way out to do without water" (de Jesus 55). Selling trash for money to survive for herself and her children occupies Maria's every waking hour, in contrast to Evita's selfish vainglory. Maria's story ends: "I got up at 5 and went to get water" (de Jesus 159). Saving her family, Maria impresses this reader far more than the self-obsessed Evita does, despite the latter's rise to the heights of power and wealth.

were a "sacrifice," when in fact she was far too ill to keep up such ambitions (Fraser and Navarro 147). She seems to this reader a thoroughly self-centered woman whose "work" for the people was essentially part of her sense of favorable position for having transcended their poverty. Maria in Child of the Dark faces problems far more serious than Evita. For Maria, the goal is not wealth, fame, power or glory, but mere survival, not only for herse
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