Robert Frost's Most Well-Known Poem

The base of operations of being liable for our destiny and life outcome based on singular choices pervades the poem. The first stanza of four explains the wooded setting, including two roadstead and the verbalizer's attack to purposefully study virtuoso of them. However, ice enables the speaker to go out us with a harbinger of emotion that specialises us in that location is something sad nearly this setting and condition confronting the speaker, "sorry I could not travel both / And be one traveller" (Frost 1919, 1). The speaker is already aware of the emotion of sadness because of the control constitution of making choices in life, choices whose outcomes we are personally responsible for as opposed to some higher power.

Frost's poem does an sensitive job of mixing range of a function, metaphor, and symbol in a counseling that helps underscore the emotion and theme of the piece. Nevertheless, as Perrine (1982) argues, "In general, an image means only what it is; the figurative term of a metaphor means something other than what it is; and a symbol means what it is and something more(prenominal) too" (76). In this poem we get a pattern of images, from leaf-strewn roads, undergrowth, grassy roads, and "leaves no step had trodden black" (Frost 1919, 1). Frost in any case uses the roads, however, as symbols which incorporate the images of the roads to enhance the meaning of the work, "Frost forces us to interpret the choice of roads symbolically by the degree of importance he gives it in the last s

The final stanza begins with the speaker talking about a proximo version of himself, one that will tell the story of this day in the woods "with a take a breath" (Frost 1919, 1). He will tell it with a sigh "somewhere ages and ages hence", because he knows his taking "the one less travelled by" "has made all the difference" (Frost 1919, 1). In his summation the speaker knows that whichever road he chooses, he is making a defining choice for the outcome of his future existence. He knows that it would be nice to be able to take both paths or to come back one day and explore the other, simply in his heart he knows that is an impossible pipe conceive of for human beings.

He sighs and makes his choice, knowing he is defining his future in a manner he will not know until the future plays out.

In the second stanza, the poet reinforces his theme by adding to the poignancy of making choices in life. Quite often we must(prenominal) make choices we know will have an impact on the outcome of our life, even though alternative choices appear as attractive but whose outcomes also remain unknown. Both roads look about as fair as one another, though one is a little grassier and wants wear. Even so, the speaker informs us, "Though as for that, the passing there / Had worn them real about the same" (Frost 1919, 1). In the third stanza, the speaker's emotions overtake him roughly as he basically plunges into life and makes his choice. He exclaims, "Oh, I marked the first for another day!" (Frost 1919, 1).

Frost, R. (1919). The Road non Taken. Viewed on Sep 13, 2003: http://www.bartleby.com/104/67.html, 1.

We can see how the theme of The Road Not Taken encompasses the irreversible and defining nature of the choices we make in life. These are choices that will steer us toward who we will become; choices that are chosen by us but also define us. The title of the poem symbolizes the speaker's taking into custody that he will never known who he mightiness have become
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