passage from Meena Alexanders autobiography, Fault Lines         Where do I come from? Who be my ancestors? These are two questions that star asks constantly and commonly. With the diversity of cultural backgrounds and languages, these questions are severely difficult to answer. In Alexanders autobiography she defines herself as a fault. She feels that without knowing her heritage and with the scars on her face she is zippo but a fault mass.
        Appearance has become greatly important to Alexanders life. In addition, What might it mean to look at myself straight, see myself? (lines 8 & 9). There are situations in life were one is unable to look in a mirror. Not only because of ones appearances but because of something committed. Something shameful that does not let any compassion. In Alexanders case was appearances. Her face was disfigured. The window that was to be protecting her caused her a great feeling of insecurity and discontent. In addition, The plate glass window that protected me inside the ramble of delicate teas and sharply flavored asparagus, tuna fish sandwiches with heapings of scallions and mint, glinted back oddly in my face. (lines 1-4). Due to this incident, Alexander felt more insecure. Who would not, from one day to another her face now resembled her inside. Now she looked the government agency she honestly felt.
        Alexanders figure has developed to one of a dreamer. In addition, In the inner life coiled within me, I have sometimes longed to be a dud on a tree, blooming in due season, the tree luggage compartment testament rooted in a sweet, perpetual place. (lines 43-46). Who will hate being a bud on a tree? A bud represents the beginning of something wonderful make full with tranquillity and happiness. The name or kind of plant or tree does not matter, because the bud will always be attractive and filed with life. Even though Alexander has become a dreamer...
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