This oil on canvas resembles the artist's jobs of 1 year later--"Road with Cypress and Star." The resemblance lies in subject matter (landscape, evergreen trees, and swirling sky), but a lot more importantly, 1 sees the progression of Van Gogh's personal sense of urgency and agitation. The wavy lines appear to barely stay in the paintings. Every line of these paintings is restless, bumping up against the following type from the works. The village is European, while in the said coloring book quality, reflecting Van Gogh's origins in Holland and his time in Paris.
The spatial items of "Starry Night" are all related in terms of the distinctive swirling movement on the sky, foreground trees and tiny clumps of trees amid the houses. Van Gogh has utilized a quite effortless perspective with foreground, midground, and background, but aside from this rudimentary depth, the painting is essentially flat in appearance. The composition is beautifully balanced, even towards tall foreground trees echoing the church steeple, each cutting from your vigorous swirls. The church cuts from your landscape, and also the deep green trees cut from the skyscape, both serving as vertical anchors to the wild circular movement. The central unifying element in "Starry Night", as in most of Van Gogh's work, may be the significance of movement between the brilliant colors.
Hardy, William. Van Gogh: The History and Techniques with the Great Masters. Secaucus, New Jersey: Chartwell Books, Inc., 1987.
"Starry Night" communicates towards the viewer the painter's strong truth of a rich, active inner world, as opposed to a photographic realistic painting of a greeting card landscape. It says towards the viewer that Van Gogh painted with urgency. He apparently was a single of individuals creative souls who was driven by an nearly demonic force from within that led him to structure his life for the need to express. It does not glimpse to be the intention with the artist to show a nice picture of the nation landscape but much more to purge his amazing energy, while using outer worldly types of hills, trees, and buildings as mere vehicles for your paint to spill onto the canvas. However, it appears that the subject matter is secondary towards style. The painting could have very easily been an abstract consisting entirely of the wild sky forms. The slight hint of realism within the landscape area serves far more to contrast with the bursting sky instead of to say one thing about the region and buildings.
rce, revealing his known passionate temperament.
This painting is relevant towards present day viewer simply because human emotions are universal and don't improve more than time. Each individual has at 1 time or an additional felt despair and disconnectedness within the really objects around. Van Gogh was able to give type to that powerful desperate emotion.
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